Jaguar ArtworkFrom the Gallery |
The Jaguar R-D6 CoupéThe Jaguar R-D6 was a concept car launched at the 2003 Frankfurt Motor Show, building on the design direction shown by the R-Coupé concept two years previously. Observers will point to ‘classic’ Jaguar design cues, such as the grille, on the R-D6. It’s also possible to see where many of these design details appeared on later production cars, the aforementioned grille bearing a striking resemblance to that of the S-Type, the side vents behind the front wheels making an appearance on the new XJS and XK models, and the bonnet slats also appearing on the XK. It is, however, the striking similarities that the concept shares with the 2008 Jaguar XF that can’t be missed.
R-D6 also took advantage of Jaguar’s lightweight structure strategy, as pioneered in the new XJ saloon, and later the XK range. Using aluminium and composite materials for the chassis and body, R-D6 weighed just 1500kg. This allowed it to capitalise on the power – and, more importantly, the torque – delivered by its V6 engine. And it was the engine that surprised many people. The bi-turbo V6 was a tuned version of the engine that was to make its début in the S-Type in 2004. With horsepower in excess of 230bhp and a massive 500Nm of torque, the V6 diesel engine endowed R-D6 with the pace to satisfy its looks and R-Performance rating. Acceleration from standstill to the benchmark 60mph takes less than six seconds. Top speed was an electronically limited 155mph. Such was the strength of this engine, that it continued beyond the life of the S-Type to be used in the new XF, gaining the XF the title of What Car? Diesel of the Year in 2008. The Body
To ensure R-D6 was a true four-seater, the design team refused to compromise on width or height (2,150mm and 1,390mm) but succeeded nonetheless in crafting a beautifully compact coupé that has all the road presence – and more – that you expect of a Jaguar.
The headlights reveal a fresh interpretation of the twin-lamp style featured by Jaguars so successfully – and naturally – for many years. Both front and rear lights use LED technology to deliver the best possible function while maintaining beautiful form. There’s no doubt that the headlights were also an influencing factor in the later design of the XF. For many, though, it will be the details that make R-D6 so irresistibly attractive. Details such as the flush-mounted door handles, which pivot on the front edge to activate an electrical actuator that opens the door; the centrally mounted twin-pipe exhausts; the aluminium boot finisher engraved with the Jaguar script; or even the Leaper on the back of the car – again a styling cue for the XF. The StructureThe aluminium chassis of R-D6 is similar to that of the new XJ and is constructed using many of the same advanced technologies – with all the accompanying advantages, including outstanding strength, robustness and durability in a true lightweight architecture. Castings such as the front suspension turrets have also benefited from techniques used in the new XJ, while the body is of aluminium and composite materials. R-D6 rides on 21-inch wheels, machined from solid aluminium specifically for this car. They are shod with unique, ultra-low-profile Pirelli tyres: 255/30 R21 on the front and a massive 275/30 R21 on the rear. Look through the spokes of the beautiful wheels and you’ll see Jaguar R-Performance discs and calipers. Inside
Aluminium features extensively in both milled and formed guise. Two types of leather – lightly grained, carbon-black aniline and 8mm thick black saddle leather – are used throughout the interior. Satin-finish Black American Walnut veneer complements the Piano Black gloss veneer that was introduced on the new XJ. Probably the best way to visualise the interior of R-D6 is to imagine yourself sitting in the luxurious, moulded composite driver’s seat, your back supported by a ‘spine’ of tensioned leather that weaves through the structure of the seat and then loops forward at the top to provide an integral head restraint. The seat is constructed with internal ducts to allow heating or cooling according to driver preference.
To one side of you is a door featuring aluminium and two types of leather, and in the centre a section of the American Walnut wood veneer that runs from the front to the rear of the cabin. Controls for motorised movement of the seat are integrated into the recessed armrest. Open the door and a formed aluminium surround is visible, integrating a Jaguar-embossed leather kick-plate. Your feet rest on wood, which again runs from front to rear. In the area immediately below the seats and extending partially into the footwell, the wood is obscured by a ‘floating floor’ of tensioned thick saddle leather that ‘flows’ over the transmission tunnel and is also visible at the outer edges of the cabin floor. The 25mm gap between the leather and the wood, aided by apertures in the latter, forms part of the climate-control system. When we started work on the interior, we wanted to only use the materials in an ‘honest’ way, so the wood is mostly flat and the leather ‘drapes’ in a natural fashion. Julian Thomson, Chief Designer, Advanced Design, Jaguar Cars Where it tops the transmission tunnel, the leather is inset with an aluminium gearshift surround. The milled aluminium lever itself – which operates a six-speed manual transmission – is located in an aluminium, domed hemisphere in place of a traditional soft gaiter.
A broad, solid aluminium ‘switch beam’, topped by an aniline leather-trimmed lower instrument panel, runs across the facia. It is broken in the centre by a cover for the navigation and ‘infotainment’ display screen, revealed when the cover swivels backwards into the instrument panel. The touch-sensitive screen, developed by Alpine Electronics, features unique ‘Shutter LCD’ technology that allows passengers to watch a moving image – for example, a DVD – while the driver sees only the essential driving functions: navigation, climate-control etc. The facia hood – which stretches back to a veneered wood surround at the base of the windscreen – is of black saddle leather, which is again designed to give the appearance of being a ‘floating’ structure. Surrounded by such contemporary opulence and yet aware of the fact that this is actually a compact sports coupé, it is no surprise for a driver to find a three-spoke, tri-material (aluminium, leather and Piano Black wood) steering wheel and drilled aluminium foot pedals. Both are a natural choice.
When the rear seats are unoccupied, the entire assembly can slide forward to almost interlock with the front seats. This doubles boot capacity, but here’s the really clever bit: the boot floor is a two-layer design, with the upper layer – and, of course, any luggage placed on it – moving forward with the seats to save you having to reorganise the boot. The side-hinged tailgate, the style of which will be familiar to anyone who has owned a Jaguar E-type coupé, is as practical as it is stylish, allowing rear headroom to be optimised. And what of those idiosyncratic Jaguar touches? Interior lighting is usually provided by clear glass courtesy lights, but R-D6 is altogether more passionate, with ambient floor lighting activated when the door opens to provide a welcoming, deep red glow. But the ‘hidden’ feature you will touch every time you get in the car is secreted in the top of the gearshift, below a swivelling top piece. Much like the safety-catch on a gun – or the top of a fighter aircraft joystick – this covers a silver button with a very important duty. Press it and the V6 engine – and the R-D6 – springs into life. Just the kind of dramatic touch you’d expect of a Jaguar. Again, it’s these little touches that were later to be used to great affect in the XF. |
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